Movement Building and Collective Impact

In an article written for Fast Company, Kaihan Krisppendorff, identifies four steps to building an effective social movement, which I have adapted below:

1. A community forms around a common goal or aspiration.
2. The community mobilizes its resources to act on the goal/aspiration.
3. The community crafts solutions and acts to deliver them.
4. The movement is accepted by (or actually replaces) the establishment or established regime of laws and policies (Source).

If you are involved in a collective impact initiative, these steps should resonate with you, in particular with the five conditions of collective impact.  Krisppendorff doesn’t address shared measurement in his post about social movements, but successful movements are always about moving the needle and bringing about systems change to do so.

Consider the Civil Rights Movement in the United States. in 1964; the Civil Rights Act rendered discrimination/segregation illegal, especially with respect to jobs and workplace advancement, and termination because of colour. States that did nothing to address discrimination lost federal funding. There were other impacts but you get the gist. Big change for sure.

As is often the case, the big changes that get made fuel additional change. In 1965, the Voting Rights Act, addressed the legal obstacles (e.g. literacy tests and poll taxes) that state and local governments had set up to stop African Americans from exercising their constitutional right to vote.

Passed in August of 1965, by the end of the year 250,000 African Americans had registered to vote. The impact of such systemic and legal change was likely felt the most in the hearts and minds of African Americans, but from strictly a numbers perspective, here is one stat that exemplifies the impact: “In Mississippi alone, voter turnout among blacks increased from 6 percent in 1964 to 59 percent in 1969” (Source). Continue reading

The Music of Collaboration

 

At the Cities Reducing Poverty: When Mayor’s Lead gathering that Tamarack’s Vibrant Communities hosted in Edmonton April 5 to 7, one of my many roles and privileges was to be an MC at a reception at City Hall for summit participants. At this event, the trio Asani performed their version of our national anthem and two other incredible songs, sung in their native language. (At the end of this posting is a video of them singing O Canada.)

What I heard and saw and felt were received by me (and I imagine many others) as joyful revelation of the human spirit of these three women.

I watched these beautiful singers, the expressions on their faces, the look in their eyes, as their harmonies washed over us, weaved through us, and became a part of the air we breathed. Everyone there felt that and everyone felt the magic of their music each in their own way. Art is always experienced personally.

As a singer-songwriter, I look for more than the music or voices intertwined. I watch the human beings making the music. Watch how they breathe, how they sense one another, how they embrace their individual roles in the “we” of their creation. As I watched them, there were times I saw in their faces those moments of joy as they folded their voices into harmonies that I sensed not only brought chills to my body, but to theirs as well.

There are times when one is creating with others that such magic happens. New discoveries reveal themselves in the moment. Perfect blending of voice and rhythm reveals itself. What is created is bigger than, and beyond, the artists’ expression or expectations.

Asani’s performance was the epitome of collaboration. What they created far exceeded what they could create on their own. But even more so, what they gave to us exceeded the incredible voice they created together. Their impact went beyond their own unified expression of their music because as soon as it reached us, it was more than when their voices left their bodies. They became us. Singer and audience made their songs even bigger and more profound than what the three of them created. Their gift became the gift we gave to one another.

Artists understand this or at least intuit this phenomenon. The eloquent, well crafted story is not as powerful on its own. It finds its power in the reception of the reader. The sculptor, the painter, the weaver, all artists are unable to reach the promise of their talent without those watching, viewing, engaging in the art. Don’t get me wrong. To engage this way requires stellar artistic expression. All I am saying is that such expression is not fully realized without those of us who engage in their art.

Art’s power and grace are revealed not only in those who receive it but also because of those who embrace it.

Those of us working to end poverty or homelessness; those of us advocating for human rights; those of us who believe in the sanctity of being human – the work we are doing is the same work as the artist. We must engage others for our work to have its full meaning. In fact, the meaning of our work is to be found in the response and embrace of others. Like the work of the artist, our work must be stellar work, but the impact we seek must be embraced by our “audience.”

Our collaborative efforts, as powerful as they may be, fall short if they do not touch others in ways that inspire, motivate, and cause the engagement we hope to instill in others.

The  Asani singers are such consummate singers not just because of natural talent. Their beauty is precision that emerges from practice, long hours, struggle, debate about which way to turn a voice, up or down, softer or louder, and when to shake a rattle or beat the drum. It is mutual orchestration and no doubt the sharing of leadership required to attain their connection with us, their audience. And if they do it right, which they did, their music becomes ours to celebrate, to cherish, and to uphold as beautiful, amazing, joyous expressions of our  humanity. And once that happens, we carry that with us.

Imagine if our collaborative efforts to end poverty could achieve such harmony. Imagine how it would feel to see the impact of our songs on those we wish to engage and inspire. Getting there would be no different than the work of the artists, the work of the Asani women. I am sure they had their times of disagreement. I am sure there were times when egos may have stalled their collective commitment to their craft. I am sure they had times of being weary or lost or wondering if what they had created would be good enough. And I am sure there are some who may not appreciate their gifts. Some who might not be open to hearing, much less celebrating, an Indigenous version of O Canada.

Thankfully, they moved through such obstacles and resistance. Thankfully they did not allow themselves to be dissuaded by the naysayers or those who prefer different music. I am thankful they kept their focus and chose to be present for whomever was open to their embrace and to worry far less about those who might turn away.

This, too, is a lesson for us in collaborative work. We must focus on those who will walk with us to a better place, who despite differences of  opinion or talents still want to walk together. Should we remain open to the naysayers? Should we listen to their objections? Yes, but only to make ourselves better, never to stop us from creating the beauty we must create to make communities rich with harmony and peace and joy.

Oh and one more thing. I have no doubt, the Asani trio does not ever reach that point where they say to themselves, we cannot do better. The reason why they are so good at their art is because they never tell each other, “We are done. There is nothing more we can do.” No matter how incredible the collaboration, our work together can always get better, do more, reach further, and have more impact.

Thank you Asani for your inspiration and your art.

___

 

 

 

 

Trickle-Down Community Engagement

Cross posted at www.vibrantcommunities.ca

I waspreparing for the community engagement learning event Tamarack was doing in Ottawa last month called Community Engagement: The Next Generation. One of the workshops I wanted to do was on engagement of marginalized populations, in particular those living in poverty. My exploration of this topic led me to some provocative writing by Vu Le, who is a writer, speaker, and executive director of Rainier Valley Corps, a capacity building organization with a focus on leveling the playing field for people of colour as well as small, grass roots organizations.

I was particularly drawn to a piece he wrote on his blog about “Trickle-Down Community Engagement,” and his writing became the catalyst for one of the workshops I am doing, aptly called “Avoiding Trickle-Down Community Engagement of the Marginalized.”

With minor paraphrasing here is what Vu Le wrote:

Trickle-Down Community Engagement is when professionals bypass the people who are most affected by issues and instead engage and fund large organizations and systems to tackle these issues, and hope that miraculously the people most affected will help out in the effort, usually for free and on our timelines, within our rules of engagement and end up grateful for our largesse.

aace4It’s hard-hitting criticism but also too often the truth. I encourage you to read his postings on the topic. I did some thinking on the topic and I asked myself what causes trickle-down community engagement; why does it happen? I reflected on my own varied experiences of engaging people who are poor, homeless, and further marginalized by an illness or disability, lack of education, or by racism. Here are some of the reasons I came up with: Continue reading

Why Speak Ill of Charity?

It’s sad. There are too many people who speak ill of charities.

Some making sweeping accusations or conclusions without any real evidence or understanding.

Some prefer to focus on the mistakes charities make (and of course they make some) rather than the good they deliver,

There are some who think the continuation of social problems means charities have failed because not everyone is housed, or healthy, or free of violence. Imagine saying to a heart surgeon she is a failure because for every life she saves, others die from heart disease – as if that is her fault. I trust you understand my point.

Some analyze charitable activity by the numbers alone, especially the the most common one, administration costs.

And for some reason some folks just aren’t charitable.  And more times than not, they are not shy about expressing their derision.

Truth be told I think leaders of charities should listen to all of those voices and all the others that arise and see what truths might exist even in those comments found to be disdainful.

To my colleagues, especially to the leaders of our charities, please rethink the current narrative about how the charity model has failed and how we need to move away from it.  Don’t replace the word charity with new words that likely won’t stand the test of time. Charity is good. Being charitable is good for all involved. Being charitable is about being human.

It’s not about moving away.

It’s not about moving on.

It’s about changing how we do charity when change is needed, when new ways are necessary.

It’s about getting better.

And it’s not about admitting defeat and then changing the conversation.

Tamarack 2015 Community Impact Summit. Phew!

What a summit it was!

260 people from Canada, the United States, Denmark, Guatemala, Singpore, New Zealand and beyond, working and learning together, inspired by the likes of Al Etmanski (my favorite speaker at the event), Fay Hanleybrown, Stacey Stewart, and Karen Pittman – all of whom gave keynote addresses.

Dozens of workshops were led by Paul Born, Mark Cabaj, Liz Weaver, and other Tamarack learning leaders.

I was honoured to be one of two artists in residence, doing music and spoken word throughout the week and to be able to give two workshops as well.

An incredible highlight for all of us was a visit Thursday night with the Musqueam people who shared with us their rich history and traditions, fed us venison and salmon, and shared as well their songs, drumming, and dance.  The name, “Musquean” means “People of the River Grass.” I also associate their name with the word, “Kindness,” because of their openness and welcoming spirit and the kindness they exhibited to all of us!

 

If you were not there, all of the materials presented can be accessed at the Tamarack CCI  website. The direct link is: http://tamarackcci.ca/node/9196.

The lyrics and spoken word piece I did are also available at this link:
http://tamarackcci.ca/content/mark-holmgren-song-lyrics-and-spoken-word

If you want to be a part of the Tamarack learning community, I encourage you to visit their many websites:

http://www.tamarackcci.ca

http://tamarackcommunity.ca/

http://www.vibrantcommunities.ca

http://www.deepeningcommunity.org/